Albus Silente is not gay in China

Albus Silente is not gay in China
(YouTube/Warner Bros)

The new chapter in the Harry Potter saga starring Albus Silente has been censored in China

Everyone knows by now that Albus Silente is gay, but not in China, where censorship has struck again. Warner Bros. had to remove a dialogue of not even 6 seconds in which Silente himself (Jude Law) admitted his feelings for Gellert Grindelwald (Mads Mikkelsen).

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Censorship only for the Chinese market which is nothing new. Let’s not forget that most of the time to sell a film or a TV series abroad, you have to compromise not only with culture but also with politics and religion.

Even the cult series Friends has been subjected to several LGBT+ censorship in China, where some kissing scenes between two men and references to transgender and gay characters have been deleted. For example, Ross’s ex-wife realising she is a lesbian.

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Cases of censorship are not new, not even in our country. Many animated manga series, before arriving on Italian television, have undergone several censorship as well as several animated series such as American Dad, Family Guy and The Simpsons. Even entire episodes were not aired to avoid offending believers, the Church and the Vatican.

Although in China censorship is used to target the LGBT+ community. As the Beijing government demands that television stations ban the broadcasting of effeminate characters.


On sale at Amazon

The United States. A group of friends and an association that cultivates ethnic discrimination, racial superiority, and the fight against any diversity as essential pillars of its doctrine. These are the main elements of this multi-faceted novel, at times raw and hard, far from pity and useless turns of phrase, in which extreme fanaticism leads a father to desire the evil of his homosexual son, to the point of acting personally for the annihilation of this inclination. Yet “REDEMPTION DAYS” is not a novel that takes away space for hope, the same feeling that will take possession of the protagonist’s page after page, directing them to arrive very differently from the departure, a goal in which ideas change, the true virtues emerge, evil and perversions are finally removed, to achieve so, in different ways, their individual redemption.

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