The flag of the Lesbian movement

The flag of the Lesbian movement
The flag of the Lesbian movement

A lesbian movement that has different flags to represent it

The flag for the lesbian movement is quite curious, in fact, over the years three versions have been created, and only one has managed to conquer the international lesbian movement.

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Let’s start by talking about the first version of the flag created to represent the lesbian and feminist movement.

Purple background, in the center an inverted black triangle (identifying symbol in the Nazi concentration camps for the Antisocials which also included homosexual women) and in its center a depiction of a double-bladed axe, called labrys.

This first flag refers to an ancient symbol of the Minoan civilization, present in many legends of Ancient Greece, including those linked to the Goddess Demeter and the Goddess Artemis.

Purple represents feminism while the triangle represents solidarity. Designed in 1999 by Sean Campbell, it has never been used.

In 2010 a new flag appears, called Lipstick Lesbian Pride in the version with lips and lipstick on the side and a second version without. This flag has seven colors which will decrease to five in subsequent versions.

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We arrive at 2018 with the flag created by Emily Gwen. Flag that was unanimously accepted by the entire lesbian movement. The colors are orange (light and dark), white, pink (light and dark) but without red lips.

DARK ORANGE: Gender nonconformity

LIGHT ORANGE: Community

WHITE: Lesbian relationship with femininity

LIGHT PINK: Serenity and peace

DARK PINK: Femininity

And so after almost four flags, the official flag of the lesbian people’s movement arrived.

ILGA: A Beacon of Hope for the LGBTQIA+ Community



REDEMPTION DAYS: The United States. A group of friends and an association that cultivates ethnic discrimination, racial superiority, and the fight against any diversity as essential pillars of its doctrine. These are the main elements of this multi-faceted novel, at times raw and hard, far from pity and useless turns of phrase, in which extreme fanaticism leads a father to desire the evil of his homosexual son, to the point of acting personally for the annihilation of this inclination. Yet “REDEMPTION DAYS” is not a novel that takes away space for hope, the same feeling that will take possession of the protagonist’s page after page, directing them to arrive very differently from the departure, a goal in which ideas change, the true virtues emerge, evil and perversions are finally removed, to achieve so, in different ways, their individual redemption.

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